the broken glass is a work conceived and produced between austria and spain and represents the eleventh reference of the catalogue of stoerung label. in this collaboration field recordings and synthesis processed by asferico create cyclical and hypnotic structures, which mia zabelka furnishes with her violin and voice. the lp version consists of two versions of the piece, the first more minimalist and conceptual and the second more rhythmical and synthesizer based. through a display of distorted and isolated sounds, we are driven in the first version into an deep listening, as if sounds where placed under a microscope or we were contemplating them through a telescope. this approach lets us perceive the bare physicality of sounds in a way which enables us to grasp subtleties and aspects of sound which we are not used to. the second version continues where the first version left us, but in this piece, we are eventually flooded by hypnotic loops, white noise and synthesis and the experience has a different flavor. now what we have acquired through the first version, the enhancement of our listening and appreciation of subtleties of sounds, is inserted into a rhythmical structure which acts as a strong current, pulling us inside an ocean full of astonishing sounds.

ltd 4lp + downloadcode

garrett came from the inside of his own mind, from within a home recording studio somewhere on planet earth. the private life of creative awareness and the music captured here is the visceral offering to all outside. every one of us has a private life. this is garrett’s... big tip!

on his debut full-length album as marker, new orleans artist mike wilkinson eschews traditional pop catharsis for total submersion into a blue, luminous tunnel. guitar, bass, and wilkinson s voice are all treated through a variety of outboard and software effects, gently blurring into one another. written and recorded between 2012 and 2015, the songs distill themes of isolation and connection, unreliable memory, identity, and the problem of infinite introspection and its relationship with reality. filled with surprise melodic turns and evocative, vaporous production, -marker- is an immersive work of otherworldly pop, encouraging its listeners to retreat inside themselves.

californian keyboardist & beatmaker kiefer (birthname kiefer shackelford) drops his debut lp. catch kiefer crushing the stage now in the touring mndsgn live trio (ringgo, swarvy, kiefer).

ltd edition blue coloured 2lp+mp3!

2x12 inch lp+mp3!too slow to disco volume 3 - this is bottled sunshine! die meisten songs auf dieser äusserst erfolgreichen compilation reihe mögen die charts verpasst haben, können aber problemlos herzen brechen. killer-tunes, geschrieben und gespielt von völlig übertalentierten musikern, die später in ihrem leben oftmals den einen oder anderen welthit für andere musiker schrieben und sich etliche grammys in die tasche stecken konnten. alle zutaten, die den too slow to disco volumes 1, 2 und der the ladies edition so viele fans von berlin bis new york, von barcelona bis bottrop beschert haben, sind wieder am start für eine weitere runde fast tanzbarer opulenz. dj supermarkt schüttet auch auf tstd3 wieder ein füllhorn von vergessenen obskuritäten und kostbaren schätzen aus, die dem erfolgreichen konzept folgen: all killer, no filler. mit dabei sind u.a. cornelius bumpus (ex-steely dan), larry carlton (ebenso ex-steely dan), dwight druick (mit dem ersten französische track), billy mernit (der erste brite auf der compilation) sowie grateful dead (!!!), bob welch und lee ritenour. der sommer kann kommen!

what you need to know about this -boite de quatre ep-:- all tracks have been produced by rag dabons.- it s deep with a bit of acid inside. it s all about jesus and denver, the last dinosaur.

a new talent is added to our roster, this time the argentinian alderaan, after several releases in labels such as animal farm, mindtrip, planet rhythm and our very own aine. he offers four slices of modern techno, heavy percussive based but whit a lot of intelligent elements inside.
first cut is ancient particles, multiple drum layers, heavy reverberation and obsessive sequences as sound palette.
parallax follows in the same style but adding more drone action and bell like lines in a clever arrangement.
oscar mulero remixes retina getting rid of the textures and focusing in rhythm and repetition in a minimalistic remake.
retina is a cosmic exercise, with galactic resonant bleeps, atmospheres and ambiental components in a dreamy structure.
timeless techno for the mind and for the body, soul as a weapon.

next up, mat8. passive aggressive, the first collaborative album release from jonny nash & suzanne kraft.

under the glow of moonlight, zak damundo has arrived on the cold busted label scene with his fantastic debut album 3am. the alias of san francisco dj / producer zach devincent, zak damundo presents eighteen original and sampled beats that are mixed continuously in the physical realm (cd and vinyl), but also available digitally as individual cuts. an underground dance music veteran, devincent is the host of swim on digitally imported radio, an affiliate of the bay area’s independent hip hop tv program distortion 2 static, and has released tunes for the likes of 5 and dime recordings, acryl music, looq records, and open bar music.

jesse bru’s release on slivers invokes early edit based house with a number of tracks both for the head and dancefloor alike. similar to bru’s eclectic and expansive releases as of late, ‘giving me the feels’, as the title suggests, focuses on a focus on soulful sounds that has become his signature.

following the meeting between masomenos, vadim svoboda and m hamed el menjira, abdessamad boussahfa and sanhaji, cosmo records is once more exploring the crossover between western electronic music producers and traditional african instrumentalists. this time around the casablanca-based label is welcoming a new artist to the fold. cesar merveille has been active in the european house and techno scene for many years, releasing on labels such as cadenza and visionquest while always pursuing his own unique creative agenda inside and outside the conjines of club music. cesar s recent adventures have found him launching roche madame, a label for his most personal and expressive work. in the spirit of this exciting new phase in his career, this release for cosmo jinds him working with the captivating tones of senegalese vocalist malik diop across a range of tracks that capture the crosscultural spirit of cosmo. -kosmos- is a thoroughly delicate production, using intricate threads of percussion that fall in intriguing, fractured patterns behind the layers of malik s voice. the melodic content follows this hypnotic format, drifting in and out of earshot in a playful key that speaks to west african traditions even as it transmits through contemporary synthesis.

really nice shirt with a second logo inside at the neg. (100 percent cotton)

really nice shirt with a second logo inside at the neg. (100 percent cotton)

really nice shirt with a second logo inside at the neg. (100 percent cotton)

nice price deal !!! random records is proud to release two new remixes of tracks from snaxs lp, special guest star. the limited edition vinyl release, entitled special guest remix, features reworks of two tracks: >special guest star< remixed by sven brede aka toxic twin and >the spark (feat. eric d. clark)< remixed by the rimshooters. berlin born and raised, toxic twin aka sven brede, has been a part of nightlife and club culture as a professional dj and producer ever since 93, his regular appearances in the capital having become legendary. his take on >special guest star< is classic yet modern tech house, inviting us in with ultra deep bass and then taking off with exhilarating vocals. the rimshooters are the fresh new production team of massimiliano pagliara and rotciv. dance lovers already know rotciv from his characteristic disco edits and productions released on his brazilian based label mister mistery. over the past two years, pagliara has thrilled us with sexy and slick tracks on labels such as live at robert johnson and balihu. together, they give >the spark< a stomping work over that will surely light your flame! this special 12inch package also includes the original versions of both tracks. but wait theres more! look inside and discover a bonus cd of snaxs entire special guest star album.

16 years after the first volume, ‘deepsounds two’ marks the return of red ember records’ various artist imprint. featuring four diverse producers from four corners of the globe, joe jones, wade norris, nuno azevedo & jerry seaman band together with one guaranteed common trait … the pursuit of underground electronic deepness … house music and beyond.

welcome to mateo & matos under their acronym of raw elements. raw basics is the first of two re-issue which will be released on flash forward licensed from final cut records! timeless classic deep house with strong bassline, with hypnotizing ghetto vibes & jackin fluids from the yorker duo that fear no dancefloor!

limited 100 numbered copies - marbled vinyl welcome to mateo & matos under their acronym of raw elements. raw basics is the first of two re-issue which will be released on flash forward licensed from final cut records! timeless classic deep house with strong bassline, with hypnotizing ghetto vibes & jackin fluids from the yorker duo that fear no dancefloor!

special backstock .. in musik und text verschmelzen über alle titel hindurch stimmungen, eindrücke der sub-sahara konzert-tour von b.friedmann 2013 und fetzen von erinnerungen an eine imaginierte zukunft. sie reagieren auf reale -kpafuca- - -things falling apart- - zustände afrikanischer metropolen und kollabieren zu grooves und phrasen, die an chris marker s science-fiction-apokalyptik ( -la jette-/ -sans soleil- ) erinnern. in dieser polyphonie der un-orte schwingt auch der geist reisender klangabenteurer, zb. der musikethnologischen praktiker hartmut geerken und roman bunka (embryo), deren visionen und musik-wirken sich gegen reduktionistische, essentialistische inszenierungen sträubt. gegen jene kulturellen landkarten, die in die musik immer wieder zwanghaft hineingezeichnet werden, setzt friedman auf -cease to matter- im intuitiven modus die befreiende kraft des rauschens, der Über-mensch-maschinen-musik, der krummen beats und des technischen zufalls-defekts, kurz: das -un-gehör-sam- (johannes ismaiel-wendt) gegenüber der normativen deutungshoheit musikalischer weltkarten. die stimme des aus texas stammenden in berlin lebenden performers und vokalisten daniel dodd-ellis wirkte bereits 2007 auf burnt friedman s album -first night forever- (non22). die lyrics stammen von beiden autoren und wurden von friedmann während der produktionsvorgänge 2013 bis 2014 mehrfach zerlegt und neu zusammengesetzt. die zeile -sky is blue inside of you- ist dem 1932 erschienenen roman -brave new world- von aldous huxley entnommen. tracks 04 und 09 (-cease to matter-) enthalten ein piano sample edit basierend auf einer komposition von georges invanovich gurdjieff (1872-1949).

for its eleventh release italian label what ever not, founded by dodi palese and dan mela, crosses the world to catch up with japanese producer keita sano for a release of singular, no specific style. the contributions debt to disco, house and techno, all of which boast an old school sprint making one move from the inside. the four-track pack melts afro funk contaminations with scented, crunchy and deeply varied patterns, sampled vocal elements and looping melodies.

limited coloured 180g vinyl, housed inside a gatefold jacket featuring the full score. comes with region free dvd and a download card.
death waltz is thrilled to announce an lp/dvd combo of abdullah, a short film released by ne er do well films, for record store day 2017. it’s a dark tale concerning the largely unknown underbelly of the city. abdullah is a lonely man, a turkish mini-cab driver in london who has been forgotten - by the city, by society, and by his own community. when abdullah picks up a new fare one night - a troubled young man who finally takes notice of him - things take a dark turn. as the two men make an undeniable connection, the question becomes clear: can abdullah change his fate or is he destined to be swallowed by his own loneliness?

what does teen spirit smell like, anyway? it might smell something like noise addict. like the real life stars of some sort of choose-your-own-adventure book about pursuing rock stardom, few bands ever led a more charmed existence, springing from the sydney suburb of bondi into seemingly overnight international fame as friends and collaborators of sonic youth, fugazi, and the beastie boys. through a combination of relentless drive, luck, and an admirable lack of self-doubt, noise addict spanned puberty to surpass the haters and join radio birdman and nick cave as a strange but permanent piece of australian punk history.
compiled here are 25 tracks, including their evan dando-worshipping satire “i wish i was him,” the thurston moore produced demo, choice cuts from their grand royal-issued ep and lp, and covers of “let’s lynch the landlord” and “back in your life.” the entire sordid adolescent tale is covered in incredible detail inside the black and white 16 page zine. and finally, for the first time in the history of record pressing, and for no good reason at all, the cover for 10.000 kids with guitars doubles as a working chalkboard.
limited to 2000 copies on black vinyl.

claque musique’s latest is a collaborative v/a affair. two vinyls package featuring eight classy cuts from donato dozzy, carola pisaturo, federico grazzini and more... a journey through the vastness of electronic music!

remixes of tracks from anthony collins >dreaming of running ep<, which came out end of last year.
nina kraviz from moscow must be without a doubt the hottest producer of the moment, after her work on underground quality and rekids. she gives her own personal touch to another lonely night. get prepared to hear a lot more of her in the future!
los updates, originally from chile and now residing in spain, are close collaborators with ricardo villalobos and have released an album on cadenza. they loved bruised inside so much they offered us themselves to do a remix. thanks again jorge y loreto!

a quasar is the most luminous object in the known universe. it emits extreme amounts of visible light, but radiates like crazy on all other wavelengths, as well. here you can get as close to a particularly energetic quasar as no man has ever been before - during an adventurous space flight with felix eul and a bunch of other well-travelled sound cosmonauts. this voyage takes you to the final frontiers and beyond where you might even encounter strange aliens like the pianoctopus, known to sneak its tentacles into the ears of unsuspecting astronauts and to tickle their skullcaps from the inside. by the way, during our flight we might experience turbulences which you will experience as sudden, adrenaline-loaded outbursts of euphoria. they are caused by transdimensional discharges along the wings of our spaceship, a phenomenon known as interplay.

sonic groove records presents a new masterpiece entitled “realism” by artist rhys fulber, his career as a waveform alchemist and sonic innovator began with the band front line assembly, a project he helped both instigate and shared an imaginative vision with fellow pioneer bill leeb who is otherwise known for his work with early skinny puppy. the sound of front line assembly assisted in the evolution and definition of the industrial/ebm genre. rhys fulber has continued as an unprecedented producer with his contributions to other noteworthy defining procedures such as noise unit and delerium and forging forward in the contemporary realm inside youth code and the more accessible conjure one project.

you re alone and you close your eyes. don’t imagine figures of light, make the darkness conscious. it becomes deeper, not eyelids anymore, and then something is around you, but you can’t open your eyes, you’re deep inside them. merge into oneness, not bright above not dark below. something with has no echo. waves and motion, not space and time. if a tree falls in a forest where no one is listening, does it make a sound? there are no signs in the snow. why this dream of something cold? the world is blue at its edges, the colour of that which can never be possessed. blue flames, deep ice, twilight. how do you observe yourself without knowing that you’re looking? the other side of your face. why don’t you let the gap be a gap? i was afraid there was too much space. when you stop focusing the image appears. everything seen at once. turn yourself into a point to get behind the surface. a messenger between two worlds. the hidden meaning behind alchemy: to be born again. you’re not born into this world but out of it. travel by heat, words are too slow. sound knows how to get around edges, wiser than light.

after recently inaugurating the label with shedbug s well-received afterglow ep, flux records are back with their second release. following suit, flux002 includes three original tracks from burgeoning french talent laroze, supplied with a sweet remix from detroit s one and only andres. with its fair share of dance floor heaters the loin des yeux ep exudes an effortless 90s revival feel to it, drawing upon classic us house and acid as the basis for its form and style.
3000 copies limited press on 180g, 12 vinyl (no digital), with artwork from laura zhang.
france s dance scene is currently replete with a plethora of fresh and charismatic artists, labels, and promoters, and has all the signs of a movement that s really beginning to take off. hailing from bordeaux, laroze s making his own mark not just as one of the figures behind the country s authority electronic music publication seeksicksound, but also as a dj and producer in his own right.

artefact - a smooth groover that has all the markings of a great producer. it’s a smooth groove machine, percussive and acidic in equal measure.
drag you inside a hole - is percussive again, with his hall mark signature groove, it’s infectious as it is long, a great booming techno number.
no merci - a peak time affair, booming and dark, think aliens, it’s the title for a reason, it stomps and delivers.
shelter - a breaks outing, subtle and melodic. a perfect finishing or opening track to a set, and one of our favourites on this release. it’s as magic as it is prophetic, simplistic beauty at it’s best.

if there was any mild concern about maintaining our namesake, this next release should put them to bed. having been a big fan of innershades productions since hammering that girl and inside your mind to death, it s pleasing to have found each other. resulting in six absolute bangers from belgium - from the trance chugger for that weatherall warm up, to the acid thumper for your b2b with hauff - we ve got you covered. not only belters by name..

richard rogers is no stranger to the london house scene. he possesses a lengthy back catalogue that finds it s way into the record boxes of dj s worldwide. moodymann, tamo sumo, fritz wentink, bicep, ashley beedle, dam swindle, jeremy underground, dan shake, danny red rack em and dixon basement jams are all strong supporters of black boobyreleases. there s been tracks and edits with gene hunt, jordan fields, moton inc, terry farley, stuart patterson and k alex shelby to name drop a few. bb013 is the magic number and this new black booby release delivers magic to your ears. four original tracks from the vaults ranging from deep nyc inspired house to slow burning, chugging 6am warped shakers. a limited edition black booby metal pin badge is inside the release for die hard fans. this is one record store day release you definitely need in your box...

language is a tricky thing. it’s possible to convey the most beautiful and heartfelt experiences with just a few words but meanings can be lost in translation. language itself being just a symbol pointing to the actual thing, like fingers pointing to the moon it’s key not to mistake the finger for the actual moon. if you do you might miss all the heavenly glory the finger is pointing to. the map is not the territory. kiani & his legion is back on sohaso with the next chapter in his sonic explorations. a mini-album that’s more than the sum of it parts, drawing you in with a story worth to be told. using a language that doesn’t need to be explained trough words, the symbols merge with their meaning trough sound. the story commences with a female voice whispering gently to you to ‘close your eyes and fly’ and while making your journey don’t forget to ‘breath’. you get introduced to the sturdy drum patterns and eerie string pads that have become main ingredients for kiani’s soundworld. eindeloos takes an irresistible groove and badass walking bass winding up between endless flanging spirals. oval flight starts out with the cheeky sound of an electric harp but inside it hides a seed that sprouts to enormous proportions. beneath the beauty you can feel something sweltering, wanting to expose itself. it links back to the beginning and finally lifts you off with a grand gesture. if you remember me then i don’t care if veryone else forgets, uses haunting atmospheres that remind of 80’s science fiction or the eerie vibes found in twin peaks to provide safe landing ground beneath the feet after your flight. l.o.v.e. forms an appropriate conclusion to the story, reflecting with a melancholic chord progression, soul healing choirs and the phonetic symbols ‘lima, oscar, victor, echo’ repeating till infinity.

the fourth hotflush release of 2017 comes from minneapolis-based dj and producer, tml. he made his debut in 2014 with one inch of water, an album in cassette form via always human tapes. his style takes cues from the bass and jungle halcyon days of yore, yet in his hands these influences are pestled into anything but nostalgia. no memory looks forward to a place where pigeonholes don’t exist, where past, present and future boil an amalgamated stew, where ‘experimental’ and ‘clubby’ aren’t effective antonyms. it’s an album in miniature - six tracks spanning a broad range. the unmistakable taste of jungle pervades side a, becoming increasingly less abstract as it goes: from the fractured opening of ‘face pads’, through the dub of ‘cold sleep’, to the sunrise head bang that is ‘crying’. side two moves inside. it’s darker there. the tunes - ’strainer’, ‘rhu’ and ‘code library’ - share a paredbackness. their beats look askance as they shuffle big and bold.

* mikal takes his first bow for dust audio in the form of the spirited ep . the break and bass craftsman reigns down an assault of almighty weight for the imprint which holds no barred. * off the back of his critically acclaimed wilderness album on metalheadz, mikal continues to seek out the dance floor through his precision target and locks on for a serious assault of the senses. * the ep’s title track “spirited” see’s the sinister intro build up and transform into a bass laden drop. the stepping drums and jungle infused shuffles entwine with the ghost vocal, whilst the modulated bass will move even the harshest drum n bass skeptics. unrelenting throughout. * the flip sees mikal spread his considerable studio talent over two further tunes of constant surprise. low note wastes no time in getting to the drop before you’ve had chance to take a breath. a thunderous one note bass underpins the mid ranged reece and stabs whilst the chunky drums compliment the tidy percussion nicely. a haunting vocal then sets off another 16 bars of unclouded rawness. * linear finishes the ep with aplomb. synth chords open up into what you might expect to be a lovely liquid-esque style roller… think again! mikal takes that premise and turns it upside down and inside out before bringing the dirty funk. keeping in line with the 2 tunes before, this isn’t for the faint hearted. definitely one for the drum & bass purest, who may well be dancing, but will also be taking down mental notes!

r.e.m.s 1988 album green back on 180 gram vinyl. 25th anniversary remaster, cut from the original analog masters

after meeting in a shared taxi to heatrow airport hodge and peder mannerfelt decide to do some music together. 2 years of discussing concepts and non-concept over twitter messenger resulted in the 3 track ep >all my love<.

the third release of the vinyl only label another earth is upon us and its all about techno. esther duijn combines 2 acts together in a split ep series which compliment each others sound. for this release esther selected two notorious european techno producers she adores, opuswerk and lee holman. on the a side opuswerk delivers 2 deep driving techno tracks. rf thruster basically expands from beginning to end. this constant propulsion has a deep impact on any dance floor. he drew inspiration from jeff mills and planetary assault systems for this particular track. emdrive starts with an atmospheric intro and morphs into one epic build up that makes you feel all warm and fuzzy inside. on the flip side lee holman bangs 2 deep and firm techno grooves like there is no tomorrow. while adaptive optics is rough on the edges it does pay attention to small details which make the track very dynamic. absorption lines puts the emphasis on a warmer atmosphere. with this track you can transform anything into a pulsating hot mass, according to esther

nachdem rob zombie pünktlich zu halloween letztes jahr die zuschauer geschockt und begeistert hat, folgt jetzt der soundtrack zum film auf vinyl im klappcover.
der 28 titel umfassende soundtrack wurde von rob zombie produziert und enthält 8 exklusive tracks, die von zombie selbst mitgeschrieben und zum teil auch aufgenommen wurden mit der zusammenarbeit von john five, bob marlette und chris “zeuss” harris. auch andere bekannte songs von künstlern wie z.b. james gang, lynyrd skynyrd und the mamas and the papas sind auf der platte enthalten.
durch den soundtrack hindurch ziehen sich außerdem immer wieder fesselnde sprachpassagen aus dem film, um den hörern auch zu hause eine gruslige atmosphäre bieten zu können.

and who exactly would we be to turn down the legend that is neil landstrumm? expert craftsman delivers five relentless tracks of spooktacular wrongness. acid casualty sex dungeon weapons, lunacy and blutmuzik for greasy nights inside long closed italian nightclubs, where dr pretorius is the host and there is a kidnapped swamp monster melting in a corner. 100% bangers all night long. it is our immense pleasure to welcome neil into our deranged little world and let him tear us a new space hole.

james dexters star has been rising for a while now - the young brit turning out killer tracks regularly on the back of hugely well received dj sets. on his second outing for dessous recordings, dexter does what he does best - four slices of deep, funky and vibing house music for the floor. lead track drift is typical of dexters flair for subtle, edgy sounds, wrapped inside a warm and inviting groove. elements come and go, but the shuffling, infection feel runs throughout. take me is a more upfront vibe with a seriously bumping groove - dexter clearly well versed in the roots of house music from chicago. ‘whose rules ?’ is a snappy, bright and lively production, with a sub bass that will troubler some of the world’s best club systems in the coming months. the light, jazzy vocals offsets the groove perfectly - sure to be a big tune for a wide variety of djs. the last track of the release is disco deep - and it pretty much does exactly what it says - a swung, groovy feel punctuated by disco claps and balearic flourishes that will sound as good on the beach as in the basement.

altiorem welcomes jun akimoto & ittetsu! turning away ep delivers 3 hypnotic and minimal dancefloor bombs + a remix from barcelona based dafoe & amin ravelle. don t snooze..

docile 27 is a mesh of simple harmony, rational rhythm, and vocal non-sense. each release brings a deeper dimension to the concept of docile. docile relies on unconventional bass lines that move a stripped down funk through drunken tones. vocal clips pop and yip inside the 4/4 time. clean edits and effects bind and define the relevance of each ingredient. dociles mission is to tease out a style of minimal that is neglected by a distracted world.

pale blue is the new alias for mike simonetti, one of nycs most infamous underground producers, paired with the vocals of elizabeth wight. the duos seductive double sided ep comes home / have you walked through this night is remixed by breakthrough spanish producer pional on man power’s me me me label. have you passed through is raw and daring, its female vocal reminiscent of innovative early electro, this is a intoxicating late night anthem of leftfield electronica. its lyrics are taken from the film the thin red line, a movie about mans destruction of nature, his world and himself. come home is equally alluring with a dreamier narrative, and pionals remix is stripped back and effortless. for these two songs, the inspiration is coming out of the darkness that is inside all of us. it sounds heavy and overbearing, but dance music is the ideal music for escape. it fits perfectly into the pale blue agenda. this music was made for a small, dark crowded dance floors, with low ceilings and high hopes. humanity is bombarded with suffering and pain at every turn its almost like we thrive on it. but we deserve better. these two songs represent part of that struggle- moving towards the light. take your frustrations out on the dance floor. throw it all away for the night. the b-side is about coming out of darkness, coming home. finding euphoria in love and security in one another. feeling lost in the best way. pale blue

after the first secret weapons release 10 years ago the series is about to continue with 12 more magnificent tracks coming on 3 lps.

first time ever available on 2x12 inch vinyl + 2xcd + poster. reproducing cult vintage concert boards & biogs and photos inside the gatefold. part of the 10 years because edition.

the legendary west end records kick off 2017 with the a brand new re-edits series inviting like-minded producers with an underground thirst and a deep understanding of house & disco culture to collaborate on a very special project. first up, wolf music man medlar, applying his dancefloor know-how to west end’s rich archive of classic disco and boogie. hand picking four personal favourites, medlar reworks them perfectly for current club sets. picking out dub sections and skilfully reworking & extending them proving exactly why medlar has been such a draw to labels like delusions of grandeur and for discos only. “i put these edits together for myself and a few friends to play in our dj sets. west end was one of the key stepping stones to what would later become house music and for many is the definitive sound of early 80s new york. i d argue that it s aged better than any other label of that era and if you re relatively new to the label or know it inside out, the catalogue can likely still provide something new.” these four sublime new edits from medlar showcase his passion for digging deep, knowledge of house history and skills as a producer.

acidicted techno bumper! if you find your body in the middle of a dance floor, surrounded by peace, love, unity, empathy and respect, the only thing that matters is what your body feels inside the music. your head, your legs, your arms and your whole body transmit the energy of the music directly to your mind. your mind start to travel into a matrix. the matrix of the moment existing thru music. markus suckut on andre kronerts odd even! outstanding coverprint, shrinked and dj friendly 140g pressing. mastering and cut by cgb at dubplates and mastering.